I see the demons you dance with; chanting in your ear, ripping you apart, gnawing upon your flesh—consuming you. Your nightmare has peeled my eyelids open. You say, “I’m a monster that can’t be revived. My carcass is a puppet to the demons that infect my soul: A hollow shell filled with darkness and decay.” I realize the words tangle on your tongue like the English Ivy on the stone walls that trap you inside. I know you’re shackled behind your sapphire orbs that peer upon my face.

Of my fate!

From Guest Contributor McKenzie A. Frey

Intelligent machines probe not only my words, but also the silent spaces between words, searching for hidden doors to secret rooms. As a kid, I won a goldfish at the county fair by tossing a ping-pong ball into the fish’s bowl. My mom flushed Goldie down the toilet while I was at school. I think of it sometimes when I see Nazis invading Poland on the History Channel. “Last name?” the woman behind the counter asks, eyes on the computer screen, hands poised on the keyboard. “Good,” I say. “How do you spell that?” “Like God, but with two o’s.”

From Guest Contributor Howie Good

Howie is the author most recently of Stick Figure Opera: 99 100-word Prose Poems from Cajun Mutt Press. He co-edits the online journals Unbroken and UnLost.

If it wasn’t for lack of encouragement growing up, I might have been an avant-garde artist, a Duchamp or a Warhol, famous for a star-like crack in a windshield, stick figures drawn on toilet paper, floors overflowing with blood. I carry a lot of photos in my phone. The only words anyone ever truly needs have all been cannibalized for parts. Still, when I announce, “I’m going to kill myself,” I don’t care what the police say, you better take it seriously. Saucer-eyed girls have been walking for a while now very close to a volcano with a beautiful name.

From Guest Contributor Howie Good

Howie is the author most recently of Stick Figure Opera: 99 100-word Prose Poems from Cajun Mutt Press. He co-edits the online journals Unbroken and UnLost.

My sister’s 21 years older. She’s 37. Often jokes I’m the milkman’s son.

It’s almost believable.

From Guest Contributor Yash Seyedbagheri

Yash is a graduate of Colorado State University’s MFA program in fiction. His work is forthcoming or has been published in journals such as 50 Word Stories, Silent Auctions, City. River. Tree. and Ariel Chart.

The crumpled notebook paper can’t be hurt, no matter how hard it’s thrown. An anemic crackle sounds at impact, a lazy, pointless attempt to uncurl is its sole achievement. The lopsided wad sits atop the unburning end of a Duraflame log. Mercifully, black char ashes the paper’s edge, further loosening the ball until gravity pulls it down to hearth. Still misshapened, I see blue ink, evidence of the second worst opening line in the history of writing. The winner is in my fist, ready to toss to the flames. It’s the only way to bring fire to my words today.

From Guest Contributor DL Shirey

DL Shirey lives in Portland, Oregon, writing fiction, by and large, unless it’s small. He has been caught flashing at Café Aphra, 365 Tomorrows, ZeroFlash, Fewer Than 500 and others listed at www.dlshirey.com and @dlshirey on Twitter.

Mother hides me in the closet.

Love. What beautiful form.

From Guest Contributor Yash Seyedbagheri.

Yash is a graduate of Colorado State University’s MFA program in fiction. His work is forthcoming or has been published in journals such as 50 Word Stories, Silent Auctions, City. River. Tree. and Ariel Chart.

I try on names for mythical mother. Mother. Mama. Mom. They hold their own weight. Mother, formal, yet beautiful. Mama, the moon, wistful and luminous. Mom is too plain.

I keep trying on names, wishing. I can’t stop.

From Guest Contributor Yash Seyedbagheri

Yash is a graduate of Colorado State University’s MFA program in fiction. A recipient of two Honorable Mentions from Glimmer Train, he has had work nominated for a Pushcart Award and The Best Small Fictions. Yash’s work is forthcoming or has been published in journals such as Unstamatic, Door Is A Jar Magazine, Maudlin House, and Ariel Chart.

My mother used to talk to herself, still does. It’s more muttering than talking. My sister, when I ask her, says that of course she talks to herself. My niece, the one who feels connected to me through the umbilical cord, says she also talks to herself. My daughter talks to other car drivers, but that is something I see men do. My self talk is more like my mother’s, my sister’s, my niece’s. It’s silenced talk, cowering, frightened talk, defiant talk too, but quiet, subterranean defiance, crawling, hushed, vigilant, raging, hungry to growl and bite, make men swallow words.

From Guest Contributor Edvige Giunta

It was his initiation day. Just the thought of what was to come turned his stomach upside down, yet having to transform with the entire family watching was a nightmare.

He took a deep breath then looked above him at the night’s sky. He saw the moon rise from behind the crest, silver and round, and he heard himself howl. Something inside him began.

From Guest Contributor Ioana Birdu

in this silent graveyard,
no one mentioned death.
the hair on my arms stood at attention,
like soldiers in the cold war.
temperature below freezing,
any moisture turned into ice
and fell onto his eyelashes.
just before midnight,
we grabbed a bouquet of
plastic
yellow
roses.
he quivered from the cold,
but his smile never faded.
vows spilling from his lips,
like a waterfall made of his soul.
his nose was cold against mine,
after the final words of our connection.
pulling away he looked at me,
a shimmer in his eyes,
knowing,
that forever,
he will always be mine.

From Guest Contributor Neyalla Ryu