Dave has a long apology worked out in his head. All the ways he knows he’s been a lousy boyfriend. Too focused on what he wants, not willing to compromise or, even worse, listen to Samantha’s side. His inability to show empathy and instead trying to solve every one of her problems the way he’d go about it. Most importantly, just saying that he’s sorry.

By the time he works up the courage to put his thoughts into actual words, Samantha has already left him alone in the café. Her last words were, “I never want to see you again.”

With the contract for his eternal soul available for sale on the open market, Henry weighed his many options before settling upon the only religion he could find fully focused on the future as it really is, not some promised eternity we can never verify for ourselves.

Choose your building blocks with care.

When Maxwell slept, he always dreamed of chocolate. According to his psychoanalyst, this was a long repressed association he had with the candies his mother gave him as a child. His medical doctor insisted it was a result of his chocolate allergy (technically three different allergies to milk, nuts, and soy, but who’s keeping track). His wife believed it was a sign he should get her a Valentine’s Day gift (collateral damage be damned).

In other words, death by chocolate.

I looked for it everywhere I could think to look. Under chairs and beds. In the clutter on the kitchen counter. Behind cushions. No luck. I’ve lost my notebook or had it stolen. The notebook is nothing fancy, a simple assignment pad like the ones we used in school. But I might as well have lost my soul. The notebook contains notes for poems and explosions. I’ve been unable to proceed without it. Words won’t obey like they once did. I’m a mirror without glass, a rocket ship without blastoff, a donor heart without a box to put it in.

From Guest Contributor Howie Good

Howie’s latest poetry collection, True Crime, is scheduled to be published by Sacred Parasite in early 2026.

I dreamt my mother’s voice became a flood in the hallway, walls bowing to her words. I held a paper bird to shield myself, and it tore in my hands, scattering wings across the shallow floors. Waves of her lullabies chased me through rooms that stretched into the sky, where I ran barefoot over glass clouds, each step echoing familiar fear. When the storm softened, I found a small window of light, where I could breathe without drowning. I reached out, and it grew until it swallowed the echoes, leaving only the warmth of my own hand on my chest.

From Guest Contributor Taylor Brann

Taylor studies sociology at Pikes Peak State College and writes poetry that traces the landscapes of memory, family, and the human heart.

Pay attention to your other senses, the blind man said, words muffled by my failing ears. They’ll take over if you lose one. He laughed, and I pushed our shared plate of sushi towards him, because I knew his touch was in no way enhanced. I watched his lips then: I’m no superhero. In the silence, the sushi tasted the same, the salt of tamari, snap of wasabi. Still I’d hoped: I’d envisioned a saving grace, sniffing people out by their soap’s scent, the sweetness of body lotion. The blind man, wishing for another roll, groped around on the tablecloth.

From Guest Contributor Colleen Addison

Bart is in the middle of throwing a tantrum, to the point where his words become largely unintelligible.

The doctors huddle and agree there’s only one solution. “Let’s turn Bart off and start over.”

Few people actually like me, and one of them keeps mice in a fish tank. It’s my vocabulary. Gulls squawk. Sirens whoop. I use large words. It comes naturally to me. But others just think I’m full of myself, a showoff. My wife’s friend’s husband said he should’ve brought a dictionary along to dinner. He laughed as he said it, but everyone at the table knew. I felt I was back in high school. The adults were thugs in suits and dresses, and the girls covered their mouths when they giggled. There are tumors no mix of chemicals can shrink.

From Guest Contributor Howie Good

Howie is a professor emeritus at SUNY New Paltz whose newest poetry books, The Dark and Akimbo, are available from Sacred Parasite, a Berlin-based publisher.

“Are you okay, Ed?”

“It’s not the throat I’m worried about, Mel.”

From Guest Contributor David Sydney

I watched a sentence emerge the other day at the end of a series of ambivalent decisions. The pressure of decision-making, the tense inner conversation writers conduct when writing, may be more felt than conscious, but it is nonetheless real. Even as I am writing these very words I am debating with myself whether these are the very words I should be writing. Decisions don’t make themselves. Do I use a dash here – or nothing? And what about an adjective for color or to add nuance? One misplaced brick can bring the whole thing down. Poetry flourishes on the ruins.

From Guest Contributor Howie Good

Howie is a professor emeritus at SUNY New Paltz whose newest poetry book, The Dark, is available from Sacred Parasite, a Berlin-based publisher.