I recently lost my job. With nothing much to do, I sneaked the other week into an exhibition at the Galerie der Moderne. The walls were hung with paintings by people who didn’t seem to know how to paint. However, I did enjoy the complimentary wine and the cubes of cheese on frilly toothpicks. I would have stayed longer, only there were these police around. In the old country, my great-grandfather went to fetch a ration of bread, and the loaf was sticking out of his coat when the SS officer who shot him for sport rolled his corpse over.

From Guest Contributor Howie Good

Howie is the author of Famous Long Ago, a forthcoming prose poetry collection from Laughing Ronin Press.

Bills. They stacked up like a child’s art project on the kitchen
table, each stamped red with the word “overdue.” The house was
crumbling down, the wallpaper peeling off every panel. The walls
trembled as the couple screamed at each other. Blame flew like
household objects; lamps, chairs, and plates.

So they stayed awake, until the sunlight streaked in through the
broken blinds and the couple was ready to start the routine over
again.

From Guest Contributor Artie Kuyper

A plainclothes policeman, using a pair of handcuffs as brass knuckles, cut the face of a boy who was wandering the city in a hospital gown. The sirens got louder. Windows rattled and the pictures on the walls shook. Sometimes I think it’s not true that teaching a child to not step on a caterpillar will make you a better person. Sometimes I think the plainclothesman is going to walk through the door, so I just keep waiting. The city streets are deserted – no St. Patrick’s Day parade, no people. In these slow days of unease, everyone is a biohazard.

From Guest Contributor Howie Good

Howie’s latest poetry collections are The Death Row Shuffle (Finishing Line Press, 2020) and The Trouble with Being Born (Ethel Micro-Press, 2020).

Cold and hungry, I shivered on the platform.

I lowered my head and pressed my hand against “The Star of David,” sewed onto my fraying coat.

From Guest Contributor Lisa M. Scuderi-Burkimsher

is custom made to look like my house, our house. My new wife’s idea—for Sarah. Same front elevation. Duplicate floorplan. But my step daughter’s attempt to match furniture placement is off. I nudge the miniature hutch to its true location. She frowns, pushes my hand away, makes me move to the front yard, so to speak. I look at her through the windows. She appears as if a Goliath child. My sling: empty after repeated attempts to penetrate the four walls of her heart. I lean low, peer inside the front door. “Knock, knock,” I say. She never answers.

Keith Hoerner lives and pushes words around in Southern Illinois.

From the street outside, a loudspeaker boomed, “According to the decree of the 17th of this month on the Abolition of Walls.” I got up from the table where I was reading and went over to the window. Banners with the slogan “Public Interest Comes Before Self-Interest” fluttered in endless repetition down the street. Practically right under my window, officers were clubbing a man who lay crumpled on the pavement. I sighed, then went and sat back down and found my place in the book – sea nymphs with red seaweed hair were sunning themselves on the ledges of seaside cliffs.

From Guest Contributor Howie Good

Howie is the author of THE DEATH ROW SHUFFLE, a poetry collection forthcoming from Finishing Line Press.

HISTORICAL FICTION ENTRY:

Quintus, uncomfortably warm, found himself staring blankly at the frescoes on his wall of intertwined naked ladies and men. Startled out of his daydream when the floor shook and the walls cracked, he ran through the atrium to the front wooden door and opened it. People scrambled the streets, colliding into one another screaming in terror. Mount Vesuvius had erupted into fiery lava, ash and pumice.

Quintus ran, but the roof collapsed and buried him in a pile of burning rocks. With shallow breathing, and his lungs collapsed, he bid farewell to Pompeii as the sound of dying screams faded.

From Guest Contributor Lisa M. Scuderi-Burkimsher

I see the demons you dance with; chanting in your ear, ripping you apart, gnawing upon your flesh—consuming you. Your nightmare has peeled my eyelids open. You say, “I’m a monster that can’t be revived. My carcass is a puppet to the demons that infect my soul: A hollow shell filled with darkness and decay.” I realize the words tangle on your tongue like the English Ivy on the stone walls that trap you inside. I know you’re shackled behind your sapphire orbs that peer upon my face.

Of my fate!

From Guest Contributor McKenzie A. Frey

I pine for smiling yellow walls, the low murmur of conversation.

I surrender to silence.

From Guest Contributor Yash Seyedbagheri

Yash is a graduate of Colorado State University’s MFA program in fiction. Yash’s work is forthcoming or has been published in WestWard Quarterly, Café Lit, 50 Word Stories, (mac)ro (mic), and Ariel Chart.

Old friends’ emails become inactive, enveloped by electronic monsters. My message cannot be delivered, electronic gatekeepers proclaim.

This message isn’t delivered.

From Guest Contributor Yash Seyedbagheri

Yash is a graduate of Colorado State University’s MFA program in fiction. His story, “Soon,” was nominated for a Pushcart. Yash’s work is forthcoming or has been published in WestWard Quarterly, Café Lit, 50 Word Stories, (mac)ro (mic), and Ariel Chart.