It’s steep over The Edge, one slip, anyone could fall. The Edge overlooks the city, and many people come here to think, make out, and party. Driving to The Edge is easy, it’s leaving that is hard. There are stories about this place; no one is ever invited. The Edge pulls you in, a tense grip leaving you struggling for air. No one really knows how they get here, there are no directions to The Edge, you just appear. I’ve been to The Edge once, it’s scary there. Dark and gloomy, even when there are no clouds in the sky.

From Guest Contributor Montana Huston

Montana is a student of journalism at Pikes Peak Community College.

When the sun finally set that evening, it was as if someone was turning off a faucet. The water ran clear and cold, then stopped running altogether, leaving behind a long, jagged-edged stain on the pavement that slowly grew into a pool of blood on the street below, like a wound left open too long, growing wider.

Clouds pressed down hard against the earth while the sky darkened. The townspeople began dying in great numbers. The river never once turned red with the blood that flowed through its banks. Nothing could change the truth of who and what I’d become.

From Guest Contributor J. Iner Souster

He couldn’t believe how amazing it felt to be free of the anguish and suffering he’d endured for so long. He fled this hellhole!

He watched as they raced above him, sun in the lead with shadow in tow, heading to the far side of the world. Now motionless, the darkness grew until the sun vanished entirely.

From Guest Contributor J. Iner Souster

All below was sky. No, that isn’t right. You are upside down. The seatbelt keeps you suspended a foot above ground. Blood swells and pounds in your temples, or was it the whiskey? Frank was on the street.

A wailing siren approaches.

From Guest Contributor Kyle J. Ames

Kyle is a student of English at Pikes Peak Community College

Everything appears gray or white, and after only a few days, I start to miss seeing things that are green. The people I depend on for advice don’t want to talk about it or even acknowledge a problem exists. I scan the morning headlines. Bosnians are still finding in woods and fields and under building rubble bodies from the genocide their leaders claim never happened. A year passes, two. The dentist bangs on my tooth. “That hurt?” he asks. I smell grass, hear birds chirp. It hurts. So what? A bird hasn’t an arm but the continent of the sky.

From Guest Contributor Howie Good

Howie is the author of Failed Haiku, a poetry collection that is the co-winner of the 2021 Grey Book Press Chapbook Contest and scheduled for publication in summer 2022.

The house stands camouflaged. Painted blue, it bleeds into the sky, camouflaged, hiding the deep-red hurt inside. “How do you appear so serene?” asks the inside to its out. How do you not give credence to the suffering within us? “I must maintain hope,” the outside says. “The pain within our facade is already causing stress cracks and chipping in my optimistic veneer. My face was once a cloud-like cream. Now its blueness, though mistaken for a sort of cheer—is actually the shade of sadness. When she passes, and finally ceases this struggle, let us rebuild, recolor, reinvent ourselves.”

From Guest Contributor Keith Hoerner

The unbalanced hostage-taker suddenly meekly surrendered to his Jewish hostages. A delegation of angels in a tree outside the synagogue hooted in derision and then rose into the sky and flapped away, leaving mysterious future gaps in the fossil record. In that instant, I became convinced of the essential stupidity of strictly adhering to any particular plan. And don’t think I didn’t know that, with my droopy face and drab old clothes, I looked like an unassimilable immigrant from a strange country – someplace dark and rainy and governed by contradiction, where there are no clues or, rather, only false ones.

From Guest Contributor Howie Good

Howie is the author of Failed Haiku, a poetry collection that is the co-winner of the 2021 Grey Book Press Chapbook Contest and scheduled for publication in summer 2022.

Music is flowing around me, thought a little flower bud as it shyly opened its dewy new petals. A quiet, peaceful melody of streams of gray pouring from a cloudy sky, framed by cooling rhythm of beads of water hitting cement nearby, thrumming on rooftops of homes around its garden, drumming against wooden walls, staccato taps on glass panes. Wavering patterns of drizzle and downpour, whispers of gentle wind through branches of trees, and drips from pools of water on lush green leaves, add a dulcet cadence, forming a tender harmony to welcome this year’s refreshing renewal of mother nature.

From Guest Contributor Sara Light

Sara lives in Chicago and writes poetry, fiction, and children’s stories. In her spare time, she likes to paint and read. Find her on twitter @SaraLight19, and on her website, saralight.blog.

Three miles, under moonlight, over the dark bay, a long bridge over troubled water. Aside the Sawgrass swamps. The Doors’ low groan hypnotic. New Orleans is waiting for you. Look, I’ll drive, your friend says when you start swerving sideways. You’re slipping under, you are fading down to dreams. Yes, you say, stab your fingers into the packet of American Spirit, wave them at the pale pomelo half-plate in the sky, the sliver of moon that is lighting your way. You are on your way to meet the Devil you don’t believe in, but neither of you know it yet.

From Guest Contributor Lorette C. Luzajic

Lorette is a widely published writer of flash fiction and prose poetry, with recent or forthcoming appearances in Tiny Molecules, The Citron Review, Ghost Parachute, Dillydoun Review, and more. She is the founder and editor of The Ekphrastic Review, a journal of literature inspired by visual art.

An airplane soars into the mammoth building, leaving a gaping hole. Blackness, dust, and papers fill the air.

The World Trade Center is no more.

From Guest Contributor Lisa M. Scuderi-Burkimsher