So I sought an answer. I looked behind silos, underwater, between the lines of out-of-print taxonomy texts. I branded objects as “right” or “wrong.”

I leveraged my concerns. I was humbled by saplings. I began ending sentences with “in today’s world.”
In December I met a prophet. I had been inhaling incorrectly my entire life.

From Guest Contributor, Liv Lansdale

She holds two swords of societal success. Her career of achievement, her marriage of love realized. Nice house, nicer car. The look that men look at – even her husband. Meditative dreams on summer days under a comforter of cool breezes. Still, one regret reflects the swords’ sharp edges. Cut her caesarean style – deep as you like; take out the child she cannot carry… his son. The single thing she cannot give him. Justice, she feels, is not in the cards for her. She seeks to be satiated through gluttonous eyes. Where are maternity clothes, the infant boy she must steal?

From Guest Contributor. Keith Hoerner

Keith lives, teaches, and pushes words around in St. Louis, Missouri.

If This World Would Allow it, I would Curl You Into Me, Caught from Flinging

I will build a catapult against instruction, an implication of backward, showing you from the cupped seat to base, flat and without lacquer, just how far necessity sounds through an ear’s tunnels, when the breath propelling the assertion is something past love. Sentiment is reactionary, but I promise fullness and recompense after the flight. Thatches of bendy straws still wait, splayed in divided nests under my pillow to serve as extra reminders after you inevitably ask: “What does it mean to land, to really land?”

From Guest Contributor, Kelli Allen

Kelli Allen’s work has appeared in numerous journals and anthologies in the US and internationally. She served as Managing Editor of Natural Bridge and holds an MFA from the University of Missouri. She is currently a Professor of English and Creative Writing at Lindenwood University. Allen gives readings and teaches workshops throughout the US. Her full-length poetry collection, Otherwise, Soft White Ash, from John Gosslee Books (2012) was nominated for the Pulitzer Prize.

In an effort to eradicate the disease carrying pigeon population from the city, the mayor signed into law an ordinance requiring all pigeons within the city limits to wear pants. His hope was that they would be forced to flee the city as they did not possess the dexterity necessary to fashion their own clothing. He underestimated the pigeons’ solidarity and the ordinance instead sparked an uproar in the garmentless pigeon community. The pigeons quit their jobs as letter carriers in protest and decided to focus their efforts solely on their cynical hobby of defecating on large man-made objects.

From Guest Contributor, Sean Franklin

Unicorns are not a figment of my imagination. They are as real as I am and I know where to find them.

I should’ve been ecstatic but I couldn’t stop thinking about how much more I wanted to ride a Pegasus over a Unicorn.

From Guest Contributor, Kristen Lum

You are the hair against my belly, left too long in slick cooling foam. You are the pull of my arm as it leans closer to ground than shoulder. You are the gelatin near my breast where I am found waiting, one more time. You are sorted beyond shape, into one scent I’ll accept, one I push heavily against, a reminder of reverse birthing, of what inside might mean if wrapped, warped by artifice and vivid yellows. You are this sweetness I take instead of a lesson—a cabbage of greens kept to hide the reds left in your leaving.

From Guest Contributor, Kelli Allen

Kelli Allen’s work has appeared in numerous journals and anthologies in the US and internationally. She served as Managing Editor of Natural Bridge and holds an MFA from the University of Missouri. She is currently a Professor of English and Creative Writing at Lindenwood University. Allen gives readings and teaches workshops throughout the US. Her full-length poetry collection, Otherwise, Soft White Ash, from John Gosslee Books (2012) was nominated for the Pulitzer Prize.

Time is my mortal enemy.

In an effort to boycott time, I never wear a watch.

From Guest Contributor, Kristen Lum

“Once you can get by the smell, you have it licked.”

This sign was posted on the blue-veined cheeses in Uncle Kenny’s delicatessen. Other signs adorned some of the exotic cheeses and meats in the shop. “Check out our rump,” “Squeeze this pork butt,” and so on. Kenny thought he was a comedian, but he made his customers uncomfortable. He vowed to lighten things up a bit, and quit using the coarser texts. He made some signs and posted them above the cheese: “What happened after an explosion at a French cheese factory? All that was left was de brie.”

From Guest Contributor, Thomas Pitre

Some morning, early, no sound from worrisome bees, refugees from last summer, moved twice, days after we decided to keep going, to lie, to lay together near the buzzing, pretending a world away from this one:

If I welcome you into my kitchen, to turn one of my forks over your fingers, flipping the metal into your palm, against knuckles, as you talk, too quickly, about what it means to leave her, what we can do with this freedom, I’ll mark the time, exactly, in quick numbers carved into the sink’s rough porcelain, unable, quite, to let the knife go.

From Guest Contributor, Kelli Allen

Kelli Allen’s work has appeared in numerous journals and anthologies in the US and internationally. She served as Managing Editor of Natural Bridge and holds an MFA from the University of Missouri. She is currently a Professor of English and Creative Writing at Lindenwood University. Allen gives readings and teaches workshops throughout the US. Her full-length poetry collection, Otherwise, Soft White Ash, from John Gosslee Books (2012) was nominated for the Pulitzer Prize.

I fell hard for Johnny Carvello. Dagos got me wet. He preferred strippers, ringside tables, hand on crotch, watching them work the pole. Called it “happy dick.” We were the perfect pair, the ex-Mafioso and the car crash cripple. Both, second rate goods. He had a thing for my still-perfect feet, bathed them in rosewater, sucked the toes, jacked himself off all over them. He’d pose me naked, on the bed, do tai chi by candlelight, his eyes on mine. Months into it when he tried to fuck me, I broke it off. The relationship, not the dick.

From Guest Contributor Alexis Rhone Fancher

Alexis is a member of Jack Grapes’ L.A. Poets & Writers Collective. Her work has been published or is forthcoming in RATTLE, BoySlut, The Mas Tequila Review, The Good Men Project, Gutter Eloquence, Cultural Weekly, High Coupe, Tell Your True Tale, Downer Magazine, Bare Hands Anthology, Ireland, The Sun Magazine, The Juice Bar, and elsewhere. Alexis was nominated for a Pushcart Prize in 2013. She is the poetry editor of Cultural Weekly. Hotnovelist@me.com/alexis@culturalweekly.com