My grandfather liked to paint lead miniatures, redcoat British riflemen and coal-colored Zulu warriors with brilliant spears. He would wax poetic about square formations and Michael Caine, talk about each individual figure as though they led deeply introverted lives. On hot summer mornings I’d wake with my child’s eyes and see: all those soldiers shifted from their positions, playing out an historical drama that only my grandfather knew. Grandfather survived the brutality of the Pacific Theater. Now he lays forever asleep, something inanimate, molded by ancestral pressures unknown, moved with care, another lead actor in some endless recursive performance.

From Guest Contributor John K. Webb